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Critical Overview | Critics on "A Rose for Emily" | Critics on "Barn Burning"

Critical Overview

The body of critical literature on Faulkner's work is vast, and it continues to grow at a rapid rate. After Shakespeare and perhaps Joyce, there has been more discussion of his work than that of any other writer. An 1987 overview requires seventy closely printed pages just to survey the critical material published on his work in the previous sixteen years. As might be expected from this amount of material, studies of Faulkner include virtually every conceivable mode of criticism.

Reader-Response Criticism:
Robert Dale Parker is one of the critics using this approach in Faulkner and the Novelistic Imagination (1985).

Deconstructionist Criticism:
One example of deconstructionist criticism is John T. Matthews' The Play of Faulkner's Language (1982).

Mythological and Psychological Criticism:
One of the common themes in Faulkner's fiction is incest. Critics often apply Oedipal patterns to such works as The Sound and the Fury and Absalom, Absalom!

Gender Criticism:
As would be expected with so important a writer, and one whose novels and stories include an array of fascinating female characters, Faulkner has attracted the attention of a considerable number of feminist critics who approach him through the perspective of gender studies.

Formalist Criticism:
Faulkner's experimental narrative techniques have been the basis for a good deal of formalist attention.

Biographical Studies:
Many critics have examined the relationship between Faulkner's life and his art in the context of his use of personal and family history, as Judith Bryant Wittenberg does in Faulkner: The Transfiguration of Biography (1979). Critics using a biographical approach also consider Faulkner's reading, his literary influences, and other components of his development as a writer.

Historical and Sociological Criticism:
As many of his major works range backward in time in an effort to portray the history of the South, and as one of the most prominent themes in his fiction is the often tormented story of white and black in the South, a large amount of the critical commentary on Faulkner has devoted itself to historical and/or sociological inquiry.
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Critics on "A Rose for Emily"


Excerpt from an interpretation of "A Rose for Emily," by Cleanth Brooks and Robert Penn Warren (Understanding Fiction, 1959)
A brief psychological consideration of "A Rose for Emily" and the limits of psychological criticism.
Excerpt from "History in 'A Rose for Emily'," by William Van O’Connor (A Rose for Emily by William Faulkner, edited by M. Thomas Inge, 1970)
Is Miss Grierson a symbol of the Old South or the new?
From "Atmosphere and Theme in Faulkner's 'A Rose for Emily'," by Ray B. West, Jr. (William Faulkner: Four Decades of Criticism, edited by Linda Welshimer Wagner, Michigan State University Press, 1973)
West considers the reflection of the self in this passage.
On "A Rose for Emily" by Dana Gioia (from The Longman Anthology of Short Fiction, eds. Dana Gioia and R. S. Gwynn, 2001)
A brief summary of the Gothic influences in the story.
On "A Rose for Emily" by Victor Strandberg (from Reference Guide to Short Fiction, 1999)
A look at how choice and determinism battle in the story.
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Critics on "Barn Burning"

Excerpt from "Barn Burning': A Definition of Evil," by Edmond L. Volpe (from Faulkner, the Unappeased Imagination: A Collection of Critical Essays, edited by Glenn O. Carey, 1980)
Volpe discusses the importance of social class in the story.
On "Barn Burning" by Joseph M. Flora (from Reference Guide to Short Fiction, 1999)
A consideration of the conflict between family loyalty and truth.
On "Barn Burning" by Dana Gioia (from The Longman Anthology of Short Fiction, eds. Dana Gioia and R. S. Gwynn, 2001)
A brief summary of the story’s main themes.
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Additional Resources: The Bibliography includes an extended list of writings about William Faulkner. Continue your Web explorations by visiting Faulkner Links. Top






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